Pablo Mazzolo (Argentina) is a filmmaker, educator and mountaineer born in Buenos Aires in 1976. He works exclusively in analogue film formats exploring the optical and chemical properties of the medium, with a particular focus on human and natural landscapes. His work has tackled themes such as indigenous sovereignty, the spectre of military dictatorship in Argentina, extinction and environmental catastrophe. He received his MFA from the University of Buenos Aires (2001). His films, including El Quilpo sueña cataratas (2012), Fotooxidación (2013), and Cineza Verde (2019) have been widely exhibited at festivals, museums and galleries internationally, including Arsenal Institute for Film and Video Art, Museo Nacional Centro de Arte Reina Sofía, Berkeley Art Museum and Pacific Film Archive, The Block Museum of Art, Govett-Brewster Art Gallery, Anthology Film Archives, Brooklyn Museum, The Buenos Aires Museum of Modern Art, International Film Festival Rotterdam, New York Film Festival, Edinburgh International Film Festival, Punto de Vista Festival, Frontera Sur–International Non-Fiction Festival, Museo Rufino Tamayo, FAMU International, The Latin American Museum of Art Buenos Aires.