Fascinated by the mystery of gestures, Baydarov films the bodies of his loved ones like a sort of sublime choreography of the day-to-day. He thus presents the intimacy in which he tackles the harrowing sentiment of having abandoned his house, his family and the land on which he grew up. Baydarov thus delivers his version of a return to the roots, the frozen time of a summer in the village. (Elena López Riera, Visions du réel)
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