French selection 2019

Paris Stalingrad

Hind Meddeb

Thim Naccache

2019France88 minColour

Summer 2016, Paris, refugees are camping in the Stalingrad district while waiting to regularise their situation. Like many others, Hind Meddeb and Thim Naccache are there as support people, as neighbours, and film the daily life and geography of Stalingrad, a fron­tier-space in the heart of Paris. A physical labyrinth added to the bureaucratic labyrinth already in place – the city turns away. Controls, round-ups, evacuations, fencing. How to make room, be collective. How can you live in a space that prevents you from existing? The film maps out the ordeal: water points, dark corners, isolated parks, ping-pong tables to cook on. Just next to the tennis courts, the refugees take a rest while the players continue trai­ning, and awake as nearby joggers exercise. It is difficult for the bodies integrate but a collective emerges and a coexistence settles in. From out of the group, we hear the voice of Souleymane, a young refugee from Darfour whose poems mingle with the filmmaker’s voice-over. Souley­mane walks around, wanders off, gets lost, re-appears and talks. As the film tracks the itineraries in Paris, another journey takes shape: frag­mented stories evoke Libya, Vinti­mille, Calais. Echoes of a shared journey, whereas Paris repels and divides. From Stalingrad to La Chapelle, from the Jardins d’Eole to the city ring-roads, bodies end up isolated on the city outskirts. Souley­mane leaves the group, the camera follows him, a solitary escape. The collective breaks up, disappears from the frame, but the film exists as the memory of a place, Stalingrad, where it was a matter of surviving together. 
–Clémence Arrivé

Documentary filmmaker, Hind Meddeb currently works between Europe, North Africa, and the Middle East. Citizen of both sides of the Mediterranean, she has explored the complexity of Arab youth. Between 2011 and 2013, Hind Meddeb directed Electro Chaabi and Tunisia Clash, two films observing the Arab revolutions through the eyes of young people in working-class neighbourhoods. 

Thim Naccache studied filmmaking at the European Film College in Denmark, where he directed his first short, Breaking In. He then directed A Nation Journey. He has worked as an editor and director of photo­graphy on documentaries, shorts and experimental films.

  • PRODUCTION : Sylvie Brenet