| Section |
Titre |
Réalisation |
Durée |
Pays |
| AT |
Bang Bang |
Andrea Tonacci |
85 |
Brésil |
| AT |
Blablabla |
Andrea Tonacci |
26 |
Brésil |
| AT |
Conversas no Maranhão |
Andrea Tonacci |
117 |
Brésil |
| AT |
Já Visto Jamais Visto |
Andrea Tonacci |
54 |
Brésil |
| AT |
Jouez encore payez encore |
Andrea Tonacci |
65 |
Brésil |
| AT |
Olho por Olho |
Andrea Tonacci |
20 |
Brésil |
| AT |
Os Arara I e II |
Andrea Tonacci |
120 |
Brésil |
| AT |
Os Arara III |
Andrea Tonacci |
30 |
Brésil |
| AT |
Serras da Desordem |
Andrea Tonacci |
135 |
Brésil |
| AT |
Struggle to Be Heard: Ampam Karakrás |
Andrea Tonacci |
30 |
Brésil |
| AT |
Struggle to Be Heard: First Encounter of Southern Cone Indian Organization in Ollanvtambo |
Andrea Tonacci |
30 |
Brésil |
| CI |
A Strange New Beauty |
Shelly Silver |
50 |
États-Unis |
| CI |
Postcards from the Verge |
Sebastian Mez |
72 |
Allemagne |
| CI |
Xiongnian zhipan |
WEN Hai |
174 |
Chine |
| CM |
Alazeef |
Saif Alsaegh |
21 |
États-Unis |
| CM |
Duelo |
Alejandro Alonso |
12 |
Cuba |
| CM |
Now He’s out in Public and Everyone Can See |
Natalie Bookchin |
24 |
États-Unis |
| CM |
Nyo Vweta Nafta |
Ico Costa |
21 |
Portugal, Mozambique |
| CM |
The Brick House |
Eliane Esther Bots |
15 |
|
| CM |
Undo |
Majed Neisi |
39 |
Iran |
| PF |
Ala hafet alhayat |
Yaser Kassab |
44 |
Syrie |
| PF |
Casa Roshell |
Camila José Donoso |
71 |
Mexique, Chili |
| PF |
Du zi cun zai |
SHA Qing |
77 |
Chine |
| PF |
Hakir |
Moran Ifergan |
67 |
Israël |
| PF |
Juntas (Ensemble) |
Nadina Marquisio, Laura Martínez Duque |
71 |
Colombie, Argentine |
| PF |
Pagani |
Elisa Flaminia Inno |
52 |
Italie |
| DE |
Chapucerías |
Enrique Colina |
11 |
Cuba |
| DE |
Mato Eles? |
Sérgio Bianchi |
34 |
Brésil |
| DE |
Nightcleaners (Part 1) |
Berwick Street Film Collective |
90 |
Royaume-Uni |
| DE |
Rapunzel Let Down Your Hair |
Esther Ronay, Susan Shapiro, Francine Winham |
75 |
Royaume-Uni |
| DE |
Sigmund Freud’s Dora. A Case of Mistaken Identity |
Jay Street Film Project |
35 |
États-Unis |
| DE |
Triste Trópico (Triste tropique) |
Arthur Omar |
75 |
Brésil |
| IK |
Shakespeare Must Die |
Ing K |
176 |
Thaïlande |
| LA |
As Above, so Below |
Larry Clark |
52 |
États-Unis |
| LA |
Hour Glass |
Hailé Gerima |
13 |
États-Unis |
| LA |
Killer of Sheep |
Charles Burnett |
81 |
États-Unis |
| LA |
My Brother’s Wedding |
Charles Burnett |
81 |
États-Unis, Allemagne |
| LA |
Passing Through |
Larry Clark |
105 |
États-Unis |
| LA |
Rain (Nyesha) |
Melvonna Ballenger |
16 |
États-Unis |
| LA |
Several Friends |
Charles Burnett |
22 |
États-Unis |
| LA |
The Horse |
Charles Burnett |
14 |
États-Unis |
| LA |
Ujamii Uhuru Schule |
Don Amis |
9 |
États-Unis |
| LA |
When It Rains |
Charles Burnett |
13 |
Suisse |
| SP |
Austerlitz |
Sergei Loznitsa |
94 |
Allemagne |
| SP |
Burma Storybook |
Petr Lom |
81 |
|
| SP |
El mar la mar |
J.P. Sniadecki, Joshua Bonnetta |
94 |
États-Unis |
| SP |
Festa |
Franco Piavoli |
40 |
Italie |
| SP |
Kharej al-itar aw thawra hata el nasser (Off Frame aka Revolution until victory) |
Mohanad Yaqubi |
62 |
Palestine, France, Liban, Qatar |
| SP |
La Cinémathèque du documentaire – The Cinema Travellers |
Amit Madheshiya, Shirley Abraham |
96 |
Inde |
| SP |
O Cinema, Manoel de Oliveira e Eu |
João Botelho |
81 |
Portugal |
