FOR ANOTHER '68 - Cinéma du réel

There is an abundance of ‘68s. So why bring up another one? The purpose is not to do away with the ‘68 mythology, but to deconstruct it in order to have it resonate elsewhere. To break away from Eurocentrism, from ideological claims and a nostalgic posture, and to find in the different perspectives and the linguistic hybridisation the keys to a non-orthodox reading of a complex and irreducible phenomenon.

Federico Rossin, curator

10 sessions :

NAM

Carlos Bustamante, De Oppresso Liber, 1968, 5’
João Silvério Trevisan, Contestação, 1969, 15’
Carolee Schneemann, Viet Flakes, 1965, 7’
Jack Chambers, Hybrid, 1966, 15’
Harun Farocki, White Christmas, 1968, 4’
Peter Nestler, Sightseeing, 1968, 10’
Walter De Maria, Hard Core, 1969, 27’

AGAINST THE ACADEMIC CULTURE

Robert Fulton, Reality’s Invisible, 1971, 53’
Michael Snow, Back and Forth, 1969, 53’

REPRESSION

Leobardo López Arretche, El Grito, 1968, 102’

PALESTINE

Kais al Zubaidi, الزيارة [The Visit], 1970, 10’
Christian Ghazi, مائة وجوه ليوم واحد [A Hundred Faces for a Single Day], 1969-1971, 64’
Carole Roussopoulos, Munich, 1972, 13’

GUERRILLA MEDIA

Helke Sander, Brecht die Macht der Manipulateure, 1968, 48’
Joaquim Pedro de Andrade, A linguagem da persuasão, 1970, 9’
Helena Lumbreras, El Cuarto Poder, 1970, 37’

EXPLODING INDIA

S.N.S. Sastry, I Am 20, 1967, 19’
S. Sukhdev, And Miles to Go, 1967, 14’
S.N.S. Sastry, And I Make Short-Films, 1968, 16’
Pramod Pati, Explorer, 1968, 7’
S.N.S. Sastry, This Bit of That India, 1973, 20’
Pramod Pati, Trip, 1970, 4’
S.N.S. Sastry, Flash Back, 1974, 21’