Cinéma du Réel - International documentary film festival
Four Women
DR

Four Women

Julie Dash

1975 / U.S.A. / 7 min

i Friday 24 March 20H40 Cinéma 2
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Without dialogue

Shown with :
A Day in the Life of Willie Faust, or Death on the Installment Plan by Jamaa Fanaka
Daydream Therapy by Bernard Nicolas
Hidden Memories by Jacqueline Frazier
The Horse by Charles Burnett
Hour Glass by Hailé Gerima
The Kitchen by Alile Sharon Larkin
Medea by Ben Caldwell
Picket in Response to the Arrest of Angela Davis by KTLA News
Rain (Nyesha) by Melvonna Ballenger
Student Rally in Support of Angela Davis Held at UCLA by KTLA News
Ujamii Uhuru Schule by Don Amis
i Sunday 02 April 15H00 Cinéma 2
X close

Without dialogue

Shown with :
A Day in the Life of Willie Faust, or Death on the Installment Plan by Jamaa Fanaka
Daydream Therapy by Bernard Nicolas
Hidden Memories by Jacqueline Frazier
The Horse by Charles Burnett
Hour Glass by Hailé Gerima
Medea by Ben Caldwell
Picket in Response to the Arrest of Angela Davis by KTLA News
Rain (Nyesha) by Melvonna Ballenger
Student Rally in Support of Angela Davis Held at UCLA by KTLA News
Ujamii Uhuru Schule by Don Amis

The dancer Linda Martina Young embodies the four female figures of Nina Simone’s ballad “Four Women”, from Aunt Sarah the slave to the angry Peaches. The staging of the dance and the reference to African music reveals a critique of stereotypes. “I’m awfully bitter these days, because my parents were slaves.”

Born in New York, the filmmaker, writer and teacher Julie Dash made The Diary of an African Nun and Illusions during her time at ULCA; for television, she has made Incognito (1999), Funny Valentine (1999) and The Rosa Parks Story (2002). Her feature Daughters of the Dust (1991) was the first film by an African-American woman to be theatrically released in the United States.